Concert Film & Live Production
Your show.
A film that lasts.
A concert film is more than a recording. It's the most powerful marketing tool a band or artist can build.
What a concert film does for you
Festivals and booking agents want to see live footage before they book. One show can keep you in content for months: the full film, single songs, teasers, social clips. We shoot everything from club gigs to festivals – multi-camera, live audio recording, editing and mastering, all in-house.
Concert films from our studio.
Zweierpasch – Le Feu, live at the Hornisgrinde.
A summit concert at 1,164 metres in the Black Forest. We were responsible for the video production. The audio came from another provider: Audio22.
WeLive – our own concert film series.
WeLive is living proof of what's possible. Since 2020 we've been producing concert films for international and regional artists – with the same standard for every film: that it sounds and looks like a fully produced work.
And the sound? Handled in-house. We mix and master live recordings even when someone else shot the picture – synced to the video and broadcast-compliant where needed. More on our Live Recording Mixing page.
A show teaser isn't a smaller concert film – it's a different tool: 60 to 90 seconds that grab attention, shot with one or two cameras instead of a large crew. Examples, process and packages from €2,350 are on a dedicated page.
See live trailers →We film dance, theatre, musicals and opera too – there the camera follows the staging rather than the music. References, process and prices are on a separate page.
Dance & theatre films →Three levels.
One honest price.
A concert film is made in three phases: pre-production, shoot day and post-production. For a Recording, pre-production is minimal. For Film and Blockbuster it is a project in its own right: developing the concept, rehearsing camera moves, working out the lighting design, scouting locations, planning the logistics.
Post-production – editing, colour grading, audio – is the biggest cost; a day is €700 (incl. VAT). The goal: something that doesn’t look like a live recording – it looks like a film.
What determines the price: number of songs, cameras, locations, lighting setups, and how much pre-production is needed. The example budgets below are a guide, not a guarantee.
- 2 moving + 4 static cameras
- Editing & basic colour correction
- Post-production: 5–7 working days
- Delivery per song or as a complete film
- YouTube & social media formats
- Audio as an add-on (example below)
Ideal for: club shows, festival sets, social media content.
Get in touch- 4 moving + 4 static cameras
- Drone for open-air concerts
- Lighting design optional (from €950/day)
- Cinematic editing concept
- Full colour grading
- Sound engineer & recording gear optional (€700/day)
- Post-production: 2–3 weeks
- All output formats
Ideal for: release productions, YouTube, press & promotion.
Get in touchThere’s no fixed price for a Blockbuster production. The shoot alone – camera setup, lighting, crane, drone and crew – can run into tens of thousands, plus 2–3 months of editing, colour grading and audio mixing. We plan it with you realistically.
- All cameras from the Film package
- Crane / jib + drone (indoor & outdoor)
- Lighting design included
- Multiple locations & times of day
- Behind-the-scenes footage
- Elaborate colour grading per lighting setup
- Audio mixing & mastering included
- Teaser & trailer included
- Post-production: 2–3 months
- DCP cinema file on request, at extra cost
For artists who want to release their concert film as a standalone work.
Let's talkWhat affects the price
Add-on: audio
Live audio, mixed and mastered.
Recording and Film above are calculated without audio. From the multitrack recording of the concert, we mix and master the audio in sync with the picture – so the film sounds like a live album.
The multitrack recording can often be handled by the venue's in-house engineer at the desk. For higher quality, we bring our own recording equipment and a sound engineer – €700 per day, the same as an editing day. More on our live recording mixing page.
What we cover, start to finish.
- Location scouting & coordination
- Technical rider review
- Camera positioning & planning
- Lighting design & planning (optional)
- Coordination with venue & promoter
- Drone permits
- Audio setup & soundcheck coordination
- Multi-camera team on location
- Live audio recording (desk feed)
- Lighting technician (Film & Blockbuster, optional)
- Steadicam operator (on request)
- Drone operator (open air)
- Crane / jib operator (depending on the concept)
- Pretty much anything is possible – we'll work out what serves the concept best
- Behind-the-scenes camera optional
- On-site data backup
- Multi-camera edit
- Colour grading (per location/lighting)
- Audio mixing & mastering
- Audio-picture sync
- Teaser / trailer
- Delivery: YouTube 4K, Instagram, etc.
On tour in Germany?
We come to you.
You're an international act touring Germany and need your show professionally filmed at short notice? We're mobile, have a nationwide network of camera operators and know how touring productions work.
Short lead times, clear communication, fast delivery. We've worked with international acts such as Uriah Heep, Nazareth and Wishbone Ash.
What touring bands often need
- →Fast turnaround (24–72h rough cut)
- →Social media clips for immediate release
- →Multiple concerts in different cities
- →Clean desk feed for release-quality audio
- →English-speaking team
More on Concert Films.
What we actually do on set and in the edit, and why.
See all articlesFrequently Asked Questions about Concert Films.
What we work with.
Camera
- Blackmagic Design, ARRI, RED, Fujifilm, Sony
- RAW & 4K acquisition
- Cinema lenses
- Stabilisation: gimbal, Steadicam
- Aerial: DJI drone (licensed operator)
- Multi-camera: up to 8 moving cameras simultaneously
- Plus stationary, fixed-position cameras
Editing & Colour Grading
- DaVinci Resolve Studio
- DaVinci Resolve Studio (multi-cam)
- Colour grading: per location / lighting setup
- Output: YouTube 4K, Instagram, DCP
- Dolby Atmos (on request)
- H.264 to ProRes master to DCP (cinema)
Live Audio
- Multitrack recording (32+ tracks)
- Direct desk feed (analogue)
- Avid Pro Tools Ultimate
- Mixing & mastering: streaming-ready
- Loudness: broadcast & streaming standard
- DCP cinema file on request
Your next concert deserves more
than a smartphone video.
Drop us a short message – when, where, what. We'll get back to you within 24 hours.